Below is my evaluation which I have published on Issuu.
Portfolio Section
- 1a. Research (Films) (12)
- 1b. Research (Trailers and Audience) (8)
- 2. Planning (5)
- 3a. Main Product (6)
- 3b. Ancillary Products (8)
- 4. Evaluation (5)
Monday, 29 April 2013
Friday, 26 April 2013
Analysis Of My Magazine Cover
Click on the link below the image to take you to Flickr where you can hover over my magazine cover to view my analysis of it.
Thursday, 25 April 2013
Final Cut Of Our Trailer: Blank
Here is the final cut of our trailer. I have also added an alternative cut of our trailer on a separate post. This is because we aren't so keen on the soundtrack in this cut but prefer when Blank is on screen as we have taken out the "wobbly" effect.
Alternative Cut Of Trailer: Blank
Here is an alternative final cut of our trailer. This differs from our final cut by having the "wobbly" effect when Blank appears on screen. We prefer the soundtrack from this as it included less of the teddy bear lyrics and overall sounds more creepy and contrapuntel.
Focus Group Video Screening
Here is the video from our final focus group screening. The comments that were made afterwards can be viewed on a separate post.
Feedback From Final Screening
We asked our class what they liked after seeing our final screening of Blank and this is what they said:
Soundtrack was good x6
Jump scare at the end worked well
Jumps throughout were good x2
Camera angles- close-ups and canted angles x2
The wobble effect when blank shows up x3
Wide variety of shots
Heartbeat pulse works well x3
Inter-title font looks good x3
The music changes were great – real horror feel
Sound effects were really well done
Collision cuts were awesome
Really cool villain x2
We then asked what needs to be improved and here was the response:
More horror conventions needed x3
Didn’t like the inter-title text font
Lack of low key lighting x3
Slender in the road – didn’t really make sense
Voices are too quiet x3
Dialogue is too quick
Don’t understand plot of going to the woods – not enough narrative to explain – more inter-titles needed x 2
Would have worked better at night
The blurry effect doesn’t work so well
Real Magazine Cover Analysis
Click on the link below the image to take you to Flickr where you can view my analysis of the real magazine cover.
Favourite Image Analysis
I have
chosen this as my favourite image analysis because it embodies the genre of
psychological horror in one single screenshot. It is taken from The Woman In Black (2012)
directed by James Watkins. The main male character, Arthur Kipps, presses his
hand against the misty window and looks into the foggy marshland conforming to
the typical horror conventions of having a creepy location. There is no
dialogue and no other diegetic sounds so the audience are left in suspense,
wondering what is going to happen. After a few eerie seconds of silence, the face of
the woman in black suddenly appears at the window and then disappears just as
quickly forcing Arthur to shudder his hand away in shock. As the woman's face
appears, there is a momentary burst of non-diegetic sound; a combination of
instruments to form a medium pitched screech.
This is the first real scene of us seeing
the woman in black up close, even if it is just momentarily, so as an
unsuspecting audience, this shocks us causing us to jump as well as the
character himself. Her face is only apparent at the window for just over a
second, but this quick montage shot is long enough for the target demographic
of psychological horror films to gain a clear image of the dreaded woman in
back. We see her withered, colourless face with her long, scraggly black hair
giving us a chilling sensation as we feel a sense of fear of her. The use of
make-up cleverly makes the woman in black look old and haggard and gives the
desired effect of being frightening.
The end result is that this clearly
establishes her as the unconventional psycho/serial killer, fitting an
archetype often found in psychological horror films.
Wednesday, 24 April 2013
Analysis Of My Poster
Click on the link below the image to take you to Flickr where you can hover over my poster to view my analysis of it.
Final Cut Of Our Trailer: Blank
Here is the final cut of our trailer. I have also added an alternative cut of our trailer on a separate post. This is because we aren't so keen on the soundtrack in this cut but prefer when Blank is on screen as we have taken out the "wobbly" effect.
Alternative Cut Of Trailer: Blank
Here is an alternative final cut of our trailer. This differs from our final cut by having the "wobbly" effect when Blank appears on screen. We prefer the soundtrack from this as it included less of the teddy bear lyrics and overall sounds more creepy and contrapuntel.
Focus Group Video Screening
Here is the video from our focus group screening. The comments that were made afterwards can be viewed on a separate post.
Feedback From Final Screening
We asked our class what they liked after seeing our final screening of
Blank and this is what they said:
Soundtrack was good x6
Jump scare at the end worked well
Jumps throughout were good x2
Camera angles- close-ups and canted angles x2
The wobble effect when blank shows up x3
Wide variety of shots
Heartbeat pulse works well x3
Inter-title font looks good x3
The music changes were great – real horror feel
Sound effects were really well done
Collision cuts were awesome
Really cool villain x2
We then asked what needs to be improved and here was the response:
More horror conventions needed x3
Didn’t like the inter-title text font
Lack of low key lighting x3
Slender in the road – didn’t really make sense
Voices are too quiet x3
Dialogue is too quick
Don’t understand plot of going to the woods – not enough narrative to
explain – more inter-titles needed x 2
Would have worked better at night
The blurry effect doesn’t work so well
Here are the scores we received:
10, 9, 9, 9, 9, 9, 8, 8, 7, 7, 7, 6
The average score was = 8.17
DOTD (2004) First Image Analysis
This still image is from the opening credits. It shows a scene of a
mosque with lots of people kneeling down and praying. It is filmed on what
looks like a video phone as if it is a news report from a Middle Eastern
country. The tragedy of 9/11 was still fresh in everybody’s mind because it was
filmed in 2004, so historical context plays an important role in the film and
especially the opening few minutes. We see short flashes of zombies attacking
and we also see the White House being ambushed with what we presume are the
zombies. This is suggesting that the virus which causes the zombies to form,
originated from the Middle East as this is where the bombers of 9/11 came from.
The soundtrack to accompany the opening is “Man comes around” by Johnny
Cash. The tune is seemingly contrapuntal but the lyrics cleverly relate to
biblical Armageddon of how the dead are rising to come and punish the sinners. "And I heard a voice in the midst of the
four beasts. And I looked, and behold a pale horse, and his name that sat on him
was Death, and hell followed with him." These
lyrics are an example of the biblical references to the dead. The soundtrack
also links to the original DOTD (1979)
as its tagline is “When there’s no more room in hell, the dead will walk the
earth.” This connotes that there are too many sinners in hell so they have come
back as zombies to walk the earth. It shows that the director, Zack Snyder,
respects the original DOTD (1979)
and wanted to include some of its core aspects in his version of it.
Tuesday, 23 April 2013
DOTD (2004) Second Image Analysis
This screenshot shows Ana attacking the vicious looking female zombie. It
clearly shows the amount of body horror included in the film. Since the
original Dawn of the Dead (1979)
was filmed, audiences have become more desensitised to blood and gore so they
expect more of it in a gory horror film nowadays than what would be expected in
the 70’s. Also, censorship is more relaxed now. To prove this, a lot of films
in the 70’s/80’s that were banned or cut are now out on DVD. For example, Texas Chainsaw Massacre (1973) and Evil
Dead (1981).
Compared to the original, there are many more deaths in this 2004 version
however they are shorter, sharper shocks as the modern day audience’s attention
spans are much shorter. This is done through cleverly edited sound effects and
restricted narration. The zombies in this are much more real looking and they
are a lot quicker than the original slow moving zombies in the original. They
are more realistic and are harder to escape but this is more suited to the
action-horror style. There are more zombies than the original and they are
constantly attacking, making it a faster paced film. We are completely
unsympathetic towards these zombies whereas in the 1979 version, Romero
reversed the character stereotypes so that we did feel sympathy for the
zombies. This film had a higher budget than the original and we see this impact
through the effects, the speed of the editing and the sheer amount of zombies
surrounding the mall.
DOTD (2004) Third Image Analysis
This image is one of the last shots
we see from Dawn Of The Dead
(2004). Here we have Ana, the final girl looking back from the boat to the
destruction they’ve escaped from. Ana is foreseen to have a tomboy, slightly
hardened personality. She is blonde, however has her hair tied back so suggests
she is not the stereotypical blonde, hopeless character normally seen in horror
films. Ana is a nurse and we clearly see this through her intelligence and
caring nature. She is also connoted as a tough character, proven when she
recovers well after the gruesome death of her husband at the beginning of the
film. She is very focussed on survival and can definitely fend for herself when
she confidently uses a gun to shoot Steve. Her intelligence is demonstrated
when she is the first to figure out that the bites spread the virus but her
kind heart appears when she is compassionate about Frank and the situation. She
is an authoritative figure and the voice of reason when she cleverly stands up
to Michael, Steve and Kenneth. In comparison to Fran in the original DOTD (1979), Ana is a lot
tougher, for example when she is threatened with a gun she exclaims “Get that
gun out of my face” whereas Fran would not have had the backbone to defend
herself so assuredly.
Since 1979 there has been a big rise in feminism and horror embraces the strength of women by having positive, strong female leading characters, such as Ripley in Alien (1979). The horror genre is very forward-thinking in terms of characterisation, strong women and black heroes would have not have been received so well in the 60’s and 70’s. In 1968 when Night Of The Living Dead was released in drive-in cinemas, the film was often greeted by racial abuse in the southern states of America. This image clearly has patriotic resemblance with the American flag in the foreground, showing that America is very proud of their country and Zack Snyder – the director – also wanted to show the brilliance of the country by placing many not so subtle iconic hints in throughout the film. It also connotes freedom and mainstream action horrors are very pro America. They often reflect the audience they are trying to attract showing the vital importance of historical context. Janet Staiger is a critic who obsessed over this and explains it in her book “Interpreting films” 1992.
Since 1979 there has been a big rise in feminism and horror embraces the strength of women by having positive, strong female leading characters, such as Ripley in Alien (1979). The horror genre is very forward-thinking in terms of characterisation, strong women and black heroes would have not have been received so well in the 60’s and 70’s. In 1968 when Night Of The Living Dead was released in drive-in cinemas, the film was often greeted by racial abuse in the southern states of America. This image clearly has patriotic resemblance with the American flag in the foreground, showing that America is very proud of their country and Zack Snyder – the director – also wanted to show the brilliance of the country by placing many not so subtle iconic hints in throughout the film. It also connotes freedom and mainstream action horrors are very pro America. They often reflect the audience they are trying to attract showing the vital importance of historical context. Janet Staiger is a critic who obsessed over this and explains it in her book “Interpreting films” 1992.
Wednesday, 3 April 2013
Real Poster Analysis
Click on the link below the image to take you to Flickr where you can view my analysis of the real poster.
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